Bad Bunny’s Puerto Rico Residency Brings in $200M While U.S. Tour Is Skipped Over ICE Concerns

Bad Bunny’s Puerto Rico residency has brought nearly $200 million in economic benefits in addition to sold-out gigs. Around 400,000 people attended the 30-show series, “No Me Quiero Ir de Aquí,” held at San Juan’s José Miguel Agrelot Coliseum from July to mid-September. It has become a cultural and musical phenomenon. It was conceived as a theatrical extravaganza and Puerto Rico’s economic engine.

Although the residency was financially successful, Bad Bunny’s decision to skip the US on his impending world tour is as significant. The performer, Benito Antonio Martínez Ocasio, cited concerns about U.S. Immigration and Customs Enforcement officials attending his U.S. shows as the main reason for his choice. He warned that “ICE could be outside [my concert],” expressing anxiety for his mostly Latino audience. Bad Bunny stressed that skipping U.S. gigs is to protect his fans, not to hate America.

This dual narrative—massive economic reward and safety concerns—is changing how artists perform where, how, and for whom. Puerto Rican residents had specific residence considerations. The first shows were designated for Purto Ricans with residency documentation, giving islanders priority. Despite considerable tourist demand, the method tried to limit local displacement and keep most economic benefit local.

The economic impact is felt across Puerto Rico. Businesses including hotels, restaurants, local vendors, transportation, and artists saw revenue growth. Cultural activities and local products sold better due to show tourism. All of this proved that a high-profile music festival can boost social and economic development as well as entertainment.

Despite having a huge U.S. fan base, Bad Bunny avoids performing in the continental U.S. due to immigrant fear. These huge performances now consider ICE raids at public gatherings and guests’ legal and immigration issues. His decision shows that musicians must now consider public safety, immigration policy, and community trust while touring.

Finally, Bad Bunny’s Puerto Rico residence illustrates how music, culture, and activism converge. It shows how an artist may safeguard local communities, provide huge economic value for his homeland, and make decisions regarding social inequality and immigration policy. His strategy is seen as conscious, socially aware art by many.

Sources:

• The Guardian

• Entertainment Weekly

• AP News